The Mother Mary trailer just dropped, and whew — it grabs you by the collar from the very first frame. Anne Hathaway steps into pop-diva mode, but don’t expect sparkles and superstar strutting. Sis looks like she just realized the spotlight has been snacking on her soul. There’s this low-key, slow-burn identity crisis baked into every shot — the kind you feel in your stomach if you’ve ever looked around and thought, “Wait… how did I get here?”
And because this comes courtesy of A24 and director David Lowery, you already know we’re not getting a cute little rise-fall-redemption plot. Nope. This trailer is giving nothing neat or predictable. Hathaway looks deliciously unglossy and absolutely on the brink, Michaela Coel is serving mysterious energy we cannot wait to unpack, and the whole vibe feels like a fresh, jagged, behind-the-velvet-rope peek at pop stardom.
It’s moody, it’s messy, it’s serving drama with depth — basically, prime PopViewers content.
A Pop Star Running from the Version of Herself She Created
Variety confirmed the setup: Hathaway plays a superstar who abandons her own music tour after having a breakdown. Instead of hiding in a hotel suite or crafting a PR statement, she seeks out her former costume designer, Michaela Coel. The one person who knew the real version of her, not the pop persona the world worships.
The reunion doesn’t feel warm and cozy though. It feels like a quiet, uncomfortable collision. Even the short cuts in the Mother Mary trailer make their shared past feel like a fault line. Whatever broke them never healed, and whatever brought Anne Hathaway’s character back is only widening the wound.
The Mother Mary Trailer Has A24’s Unpolished Touch
A24 has a distinctive style, but the Mother Mary trailer doesn’t fall into the usual pattern. This isn’t moody lighting and hypnotic shots. Instead, it mixes overwhelming spectacles, like blinding stage lights and packed arenas, with moments that feel personal, intimate, and private. You feel as overwhelmed as the popstar.
What’s most striking is the contrast. The public version of the pop princess looks invincible versus the private version who looks like she’s unraveling one thread at a time. The existential dread in the trailer isn’t theatrical; it’s real. Hathaway looks like she’s holding herself together, barely, out of muscle memory and autopilot, not confidence.
Anne Hathaway Gives a Stunning, Emotional Performance
Anne Hathaway learned new vocal techniques, pushed herself past physical and mental limits, and treated the role like a complete reset of her identity. The Mother Mary trailer shows a glimpse of her hard work. She doesn’t look staged or fake. She looks rattled, defensive, exhausted, and a little dangerous in a mentally unbalanced, “done pretending” way.
Coel, on the other hand, plays her character with the kind of calm that could be threatening. She’s steady, but unsafe. Every scene between them feels heavy, like viewers are watching ticking timebombs walking on eggshells.
Music That Sounds Like Someone Falling Apart in Real Time
The soundtrack to Mother Mary features contributions from Jack Antonoff, Charli XCX, and FKA Twigs, and it doesn’t sound like typical movie pop. The snippets in the Mother Mary trailer are sharp and emotional, like they were pulled from the lead character’s inner thoughts instead of being polished in a recording booth.
We still don’t have a firm release date beyond spring 2026, and A24 hasn’t revealed much about the supporting cast’s roles. However, the Mother Mary trailer gives enough to understand the tone: intense, intimate, and full of unresolved tension.
The Mother Mary trailer doesn’t try to charm viewers. There’s no shock value. It aims to pull you into the headspace of someone who built a life she can’t breathe inside anymore. And that honesty, mixed with dread, is what makes the movie so compelling and anticipated.