Miley Cyrus has been famous since before she could talk—quite literally. Born in 1992, the same year her father Billy Ray Cyrus shot to stardom with his country hit Achy Breaky Heart, Miley entered the world already steeped in the spotlight. Her godmother is Dolly Parton. By age three, she was already “escaping the nanny” to get on stage. Fame didn’t just find Miley—it raised her.
Flash forward: Miley Cyrus has released eight studio albums, four extended plays, five Hannah Montana soundtracks, and two live albums. Add to that a global pop culture reign that began with Hannah Montana, more headlines than any one artist should have to endure, and three Grammy wins—and now, she’s delivered what may very well be the best album of her career: Something Beautiful.
Miley Cyrus has always pushed boundaries, and her ability to evolve as an artist while maintaining authenticity is what makes Miley Cyrus stand out in the industry.
Miley Cyrus Embraces Artistic Freedom on Something Beautiful
With every project, Miley Cyrus showcases her versatility, making her an inspiration to fans worldwide who admire Miley Cyrus for her courage to explore new sounds.
As a longtime fan—starting from my childhood watching Hannah Montana—I’ve followed every twist and turn of her genre-jumping, expectation-defying career. She’s experimented with bubblegum pop, hip-hop, psychedelic rock, country, and stadium-sized power ballads. But with Something Beautiful, she doesn’t choose one direction. Instead, she embraces all of them, crafting an album that feels deeply personal, sonically adventurous, and remarkably free.
Accompanied by a one-night-only theatrical visual experience (with a streaming release to follow), Something Beautiful feels like a culmination and a rebirth. It’s a reflective work that manages to touch on pop nostalgia, avant-garde weirdness, and raw emotional truth—all while sounding polished and effortless.
The way Miley Cyrus blends different genres is a testament to her artistry and growth over the years. Miley Cyrus’s journey from Hannah Montana to this moment is a story of resilience and self-discovery.
With each release, Miley Cyrus continues to redefine what it means to be a pop artist, pushing the envelope and challenging norms. Miley Cyrus’s artistry reflects her soul, making her music resonate deeply with fans and critics alike.
The visual album, which premiered at the Tribeca Film Festival, is now hitting the big screen. Cyrus blends fashion and pop to create a 55-minute experience that allows her to connect with fans in an intimate and groundbreaking way. Previously, Miley has expressed how touring no longer fits her mindset or is healthy for her voice, which is why she’s exploring alternative ways to engage with her audience.
Cyrus has always been a trendsetter, often ahead of the curve and frequently misunderstood. Few artists can boast a discography that spans The Climb and Milky Milky Milk, but Miley does it all without flinching. As she once sang in See You Again, “She’s just being Miley.”
Cyrus has what you might call a Mount Rushmore of pop moments: Party in the USA, Wrecking Ball, We Can’t Stop, and Flowers. Each of these songs not only defined an era for Miley but also etched a permanent place in pop culture history. And now, Something Beautiful feels poised to add to her legacy.
One of the most powerful takeaways from this current era comes from Cyrus’s own words. In a recent interview with Zane Lowe, she reflected on her Grammy wins and the healing that came with them. “I think somewhere inside of me, I needed maybe to hold a trophy and just feel for a moment that I have something that I can hold in my hands that feels like a true achievement,”
And now, with that validation in hand, she’s ready to return to what she calls her “weird sh*t.” The result is an album that blends mainstream pop mastery with deep introspection and experimental edge.
Critics and fans alike have praised Something Beautiful for its sonic cohesion and ambition. Miley herself has called it a “pop opera,” and that description rings true. The transitions between tracks are seamless, creating an immersive, almost cinematic listening experience. In an age dominated by two-minute TikTok-ready singles, she’s taking big swings—the average song length on this album is four minutes and twenty-three seconds. It commands your attention and refuses to be background noise.
Yes, this is a pop album—but it’s pop on her terms. Something Beautiful nods to the icons that came before her—Madonna’s influence can be felt on tracks like Every Girl You’ve Ever Loved with Naomi Campbell, while Give Me Love echoes the sweeping harmonies of The Beatles. But make no mistake: this is not homage. This is Miley forging her own sound, with no wigs, no alter-egos, and no expectations to meet but her own.
In her latest work, Miley Cyrus proves that true artistry is about being genuine, and that’s reflected in each song.
My personal standout on Something Beautiful is Golden Burning Sun, which has quickly become one of my favorite songs of her entire career. It’s sun-soaked, anthemic, and soaring—Miley’s voice feels completely unleashed here. It’s the kind of track I’ll have on repeat all summer, sweating it out through Central Park. Another favorite, Reborn, features the hook, “Kill my ego, let’s be reborn,” which perfectly encapsulates where Miley is now: shedding old expectations and embracing a fresh start.
But perhaps the most commanding track on the album is Walk of Fame. This six-minute odyssey shapeshifts from disco to pop to soul in one glorious ride, never losing its grip on the listener. The poetic outro speaks to Miley’s enduring legacy:
You’ll live forever in our hearts and minds
An ageless picture, a timeless smile.
That’s Miley: an ageless icon who’s lived several lifetimes in the spotlight but keeps evolving. She’s openly expressed her desire to go independent in the future, to break free from the constraints of traditional album rollouts and major label expectations. If Something Beautiful is any indication of what freedom sounds like for her, then we’re in for even more thrilling chapters to come.
This album isn’t just a victory lap. It’s a statement of purpose. After years of public reinvention, Something Beautiful feels like the rare moment when an artist isn’t playing a character, but simply being who they’ve always been.
And it’s something beautiful—the best thing she’s ever made. Something Beautiful is out now.
